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Asian lacquers, whether Chinese, Japanese, Vietnamese or Korean, have seen their value soar in recent years. This is particularly true of Vietnamese lacquers. In Asia, lacquer is used on lacquered panels, screens, religious statues and boxes. A traditional technique, lacquer is still used today by contemporary artists.
Depending on the type of object, its period of creation, provenance, state of conservation and artist, the estimate can be high.
Whether you own a panel, a religious statue or a box, getting an accurate estimate is essential in a rising market.
The Asian lacquer market is very active today, with prices ranging from a few hundred to tens of thousands of euros. Chinese lacquers, particularly those from the Ming and Qing dynasties, are among the most sought-after, as are 20th-century Vietnamese works. Beware, there may be some exceptional records!
Object type | Period | Price range | Auction examples and results |
Decorative lacquered panels | Twentieth century | 30 € – 650 000 € | Nguyễn Gia Trí, Village Scene, sold for €375,000; Pham Hau, Halong Bay, €896,000 . |
Lacquered screens | Twentieth century | 10 000 € – 550 000 € | Nguyễn Gia Trí, Pagoda Chùa Thầy, €400,000 ; |
Religious lacquer statues | 19th – 20th centuries | 50 € – 75 000 € | Buddha, lacquered wood, Cambodia, 19th century, €26,000; lacquered Buddha, €75,000. |
Lacquered furniture | 19th – 20th centuries | 500 € – 33 000 € | Lacquered furniture, Maison Thanh Lê, €500; Pham Hau, Panel €33,000. |
Lacquered boxes and cases | Twentieth century | 100 € – 26 000 € | Pham Hau, Lacquered box: €26,000 ; |
These values can fluctuate according to various factors, such as the state of conservation, the rarity of the object and its provenance. Older works in good condition are highly prized, but modern or contemporary works bearing the signature of a recognized artist can also fetch significant prices.
Asium offers you a free valuation of your artworks, whatever your needs.
You can request an appraisal online via our form, where you can submit photos and descriptions of your works. Asium also organizes appraisal days where you can bring your pieces for an in-person appraisal, as well as in-home appraisal services for larger collections.
To recognize a genuine lacquer, it’s essential to examine several elements:
This examination often enables you to determine the geographical origin of your lacquer.
The signature of the craftsman or workshop is a key element in estimating the value of a lacquer piece. It is a key element in determining the authenticity and quality of the work, providing collectors and buyers with indications of the object’s provenance and history.
Pieces signed by master craftsmen are generally considered more valuable. For example, a lacquer vase signed by a renowned craftsman from the Ming dynasty, which reigned from 1368 to 1644, has been estimated at 100,000 euros due to the craftsman’s reputation and the quality of the work.
In China, Jingdezhen craftsmen, in Japan masters like Agota Korin, in Vietnam artists like Nguyen Gia Tri or Pham Hau win major prizes.
In addition to individual signatures, some pieces bear workshop marks that can also influence their value.
The overall condition of the object, including the presence of cracks, retouching or repairs, directly influences its price. For example, a carved lacquer box in perfect condition could fetch 60,000 euros, while a similar piece with defects might be worth just 10,000 euros.
A prestigious provenance, such as an imperial collection or a piece that belonged to a royal family, considerably increases the appeal of the work. For example, a lacquered box from the Chinese imperial court doubles its estimate to €75,000 due to its provenance.
The history of lacquerware in Asia goes back thousands of years. In China, its use dates back to the Neolithic period, when the first lacquer objects were primarily utilitarian. With the passing of the dynasties, lacquer evolved into a refined art form.
The evolution of lacquerware in Asia reflects not only centuries of craft tradition, but also the influence of global artistic trends. Today, antique and contemporary pieces continue to captivate art lovers, as much for their technique as for the cultural heritage they convey. Today’s market is seeing a growing interest in modern lacquerware, particularly Vietnamese, rediscovering a timeless heritage.
Specialist in the arts of VIETNAM and CHINA
ASIA Expert
The price of an Asian lacquer depends on a number of factors, such as its state of preservation, provenance, the craftsman’s signature, the manufacturing techniques used and the rarity of the piece on the market.
Techniques such as carved or inlaid lacquer in China, makie in Japan, and son mài in Vietnam, each with their own complexity and aesthetics, influence value due to rarity and market demand.
Provenance plays a crucial role in a lacquer’s appeal, as pieces from reputable workshops or specific historical eras can be perceived as more authentic and desirable, thus increasing their value on the market.
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